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Damian "Jr Gong" Marley
Live Show
Review 4/28/05
Pictures
From Welcome To Jamrock Tour
Live Show
Review, 2/26/03 Boulder, Co -
Official Website -
MelodyMakers.de
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Recommended
Listening
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 The
bustling Halfway Tree area of Kingston, Jamaica is the geographic intersection
of the city's uptown and downtown areas, the meeting ground of Kingston's
privileged and it's poor. Damian Marley, the son of Reggae icon Bob Marley and
Jamaica's 1977 Miss World Cindy Breakspeare is the offspring of a union between
two distinctive and disparate worlds. Damian calls his new album "HALFWAY TREE"
because "my father is from the country and the ghetto and my mother is from
uptown so I come like a half way tree, like a bridge because I can relate to
both sides. "HALFWAY TREE" is the first release from the recently signed
distribution deal between Motown Records and Ghetto Youths International.
Born in Kingston, Jamaica on July 21, 1978, Damian Robert Nesta Marley a.k.a.
"Junior Gong", Bob's youngest son, began performing as a child as the vocalist
for a group called The Shepherds. Comprised of other well-known Reggae artists
children including Shiah Coore (son of Third World guitarist Cat Coore) and
Yashema Beth McGregor, the daughter of Freddie McGregor and Judy Mowatt, The
Shepherds performed at several shows in Jamaica including the Reggae Sunsplash
music festival in 1992.
 After The Shepherds' demise, Damian turned his vocal talents to deejaying (the
Jamaican equivalent of rapping). In 1993 Damian's debut single "Deejay Degree"
was released on Tuff Gong Records (the label founded by Bob Marley) and the
following year he released "Sexy Girls On My Mind" for the Main Street label.
Damian's next release 1995's "School Controversy" was featured on the Epic/Sony
Wonder compilation, "POSITIVELY REGGAE" with all sales proceeds going to
Jamaica's Leaf of Life Foundation, an organization which assists children who
are HIV positive. Although he was still a teenager, Damian was selected as the
"POSITIVELY REGGAE" spokesperson, a role that introduced him to the
international press and record buying public. The same year Damian performed at
select dates on the Shabba Ranks World Unity tour and with his brother Julian
performed at Jamaica's Reggae Sunfest and Sunsplash festivals.
Damian was a high school student when he began recording "MR. MARLEY" at the
Marley Music 48 track-recording studio. Produced by Stephen Marley (head of the
Marley Boyz production team), "MR. MARLEY" delivered a fusion of contemporary
Reggae grooves and infectious dancehall rhythms alongside tough edged hip-hop
beats, an ideal complement for Damian's versatile deejay-rap style. The album
included several updates of Bob Marley classics as well as the single "Me Name
Junior Gong" which went to the number one in Hawaii and held that position for
several weeks. "When we went to Hawaii in 1997," Damian recalls, "we had three
songs on the charts there: 'Me Name Junior Gong,' 'One Cup of Coffee' and 'Now
You Know,' a tune from Julian's debut album." Damian and Julian's burgeoning
popularity earned them featured appearances on the 1997 travelling alternative
rock festival Lollapalooza which provided invaluable exposure among a new sector
of music fans.
In the five years since "MR. MARLEY's" release, Damian has matured as a
performer, songwriter, recording artist and Rastafarian, his unwavering
convictions reflected throughout his new album. Stephen Marley produced "HALFWAY
TREE" for Marley Boyz productions; Stephen's previous production achievements
are crowned by 1999's critically acclaimed "CHANT DOWN BABYLON" featuring Bob
Marley in duets with a galaxy of hip hop's brightest stars and selling more than
1 million copies worldwide. Stephen's innovative approach to "HALFWAY TREE"
incorporates spoken word introductions and dramatic vignettes as song
interludes, creating a conceptual cohesiveness lacking from most Jamaican
albums. Stephen also adapts traditional Reggae elements (forceful drum and
basslines, committed social commentary) to 21st century hip hop's synthesized
beats and sometimes defiant stances while utilizing the talents of Jamaican
singers, deejays and musicians alongside American rappers, each underscoring
Damian's impassioned delivery.
A spoken intro by Bunny Wailer (of the original Wailers), the ghetto grammar of
Jamaican deejay Bounty Killer, Treach of rap group Naughty By Nature and
Damain's blistering vocal beats unite in their criticism of the "Educated Fools"
who continue to brainwash the youth. Stephen's sung vocals are looped around
Damian's deejaying on the haunting "It Was Written", complemented by the
combustible talents of Dancehall's arsonist Capleton who along with rapper
Dragon assists in burning (lyrical) fire upon the oppressors. The pulse of
classical Reggae's drum and bass enhances Damian's sing-jay style throughout
"More Justice", a condemnation of the suppression of the Rastafarian sacred herb
marijuana. Contemporary percussion patterns inspired by ancestral African
drumming provides the sturdy musical foundation for "Give Dem Some Way" which
fully supports Damian's hard edged, fast past verse.
A hardcore Jamaican dancehall vibe is represented in "Mi Blenda", a recipe for
natural viagra (or Jamaican "strong back") which might be necessary to satisfy
the two women Damian is "Stuck In Between". "Where Is The Love?" conveys a
responsible approach to relationships with Ruff Ryders Eve providing a succinct
rap aimed at those who engage in irresponsible sex: "I wish you cats would
understand procreation instead of using it as recreation." Damian abandons those
"just for one night fun things" as "an indecent something" on "Still Searching"
while the rollicking "Cool and Dandy" with deejay Daddigan is a tribute to the
fit and bouncy girls. "She Needs My Love" boasts Jamaica's premier drum and bass
duo Sly Dunbar and Robbie Shakespeare and their La Trenggae (Latin Flavored
Reggae) fusion accentuating Junior Gong's vigorous rhymes. "Stand A Chance" with
Stephen on harmonica, Treach's rap and the harmonizing of Jamaican singer Yami
Bolo is a modern roots Reggae gem shimmering with an inherited Rastafarian
spirit. Stephen is assisted on the title track production by New York producer
Swizz Beats (Kaseem Dean) who has constructed rhythms for rappers including DMX,
Busta Rhymes and Jay-Z.
Bob Marley's music is also featured on "HALFWAY TREE." "Could You Be Loved" is
metamorphosed into "And Be Loved" with samples from the 1979 original woven into
Damian's dazzling deejaying and the impressive rap from an upcoming artist
called Izzy. The Wailers 1973 masterpiece of suppressed anger "Slave Driver"
becomes "Catch A Fire" with Stephen duplicating Bob's original vocals and
Damian's chanting providing a bold critique on guns, drugs and other forms of
mental slavery. Bob reiterated "none but ourselves can free our mind" and Damian
raps "if dem could, dem would tax you for saliva, how much more mus' we die
for?"
With the release of "HALFWAY TREE" on Ghetto Youths International/Motown, Damian
presents his bold musical identity to the global community, updating the Marley
musical legacy for the 21st century. |
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